Architectonic shapes meet the human body through the hand of technology
My 3D Dress was one of the most successful pieces from my Final Collection at Central Saint Martins. Each piece was individually 3D printed at home and assembled together using metal rings.
35
Pieces assembled
400
3D Printing Hours
A fashion designer with a technological approach
A fashion designer with a technological approach
A fashion designer with a technological approach
A fashion designer with a technological approach
A fashion designer with a technological approach
A fashion designer with a technological approach
BIAAF Contest
I was selected as a CLO3D Winner
Online Portfolio
A brief story of my work
THE TECHNIQUE
I create garments that go beyond the physical
My aim with this project has been to use the power of new technologies such as 3D printing, laser cutting and computer modelling, to reawake the attention to detail from the past and inform my vision of the future.
innovation
innovation
innovation
innovation
innovation
Animation developed by me from scratch, using a mix of CLO3D and Blender
Screenshots from the process while developing the animation
Making fish skin pattern-based garments: developing digital tools for the fashion industry based on Ainu Indigenous Peoples tradition.
The project was presented during the Responsible Fashion Series – Breaking the Mould conference at the University of Antwerp next week.
“The Ainu garment in the image is part of a study that hypothesises what would have happened if, during the Meji era, the Japanese had brought their Katazome indigo dyeing tradition, and blended it with the Ainu tradition of creating clothing from fish skin.” Elisa Palomino
I developed a CLO3D Ainu Robe that I later translated into BLENDER to model the rest of the scene and animate it.