THE TECHNIQUE

Architectonic shapes meet the human body through the hand of technology

My 3D Dress was one of the most successful pieces from my Final Collection at Central Saint Martins. Each piece was individually 3D printed at home and assembled together using metal rings.

Pieces assembled

400

3D Printing Hours

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Look 1 of Ana Cordoba's final collection at Central Saint Martins

A fashion designer with a technological approach

COVER FEATURE

My 3D Printed dress

featured on the cover of

My 3D Printed dress

featured on the cover of

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Lemarié (CHANEL) x CSM

I developed a fully 3D printed dress for the contest and was offered a 6 months internship in Paris as a prize.

Winner

Grayson Perry Contest

I was selected as one of the winners of the ‘Design a Dress for Grayson Perry’ competition and the artist bought my final piece.

Winner

NIKE + Chelsea + Three

My team developed a collection with 3D-printed pieces and virtual reality elements that helped us obtain the first prize.

Winner

INDITEX x Suyt

I was selected as an Inditex Young Talent and given the chance to work for the company.

Winner

Window Dressing Contest ‘Madrid es Moda’

Paula Ulargui and me developed a window dressing at the ‘Hotel Las Letras Gran Via’ in collaboration with IKEA.

Winner

Online Portfolio

A brief story of my work

I create garments that go beyond the physical

My aim with this project has been to use the power of new technologies such as 3D printing, laser cutting and computer modelling, to reawake the attention to detail from the past and inform my vision of the future.

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innovation

Animation developed by me from scratch, using a mix of CLO3D and Blender

Screenshot of process of making Ainu robe in Blender

Screenshot of the process of making the Ainu robe animation in Blender

Screenshots of the process behind the making of the Ainu robe in Blender

The pattern in CLO 3D of the Ainu robe developed with Elisa Palomino

Process of the making of the Ainu robe in CLO 3D with Elisa Palomino

Screenshots from the process while developing the animation

Making fish skin pattern-based garments: developing digital tools for the fashion industry based on Ainu Indigenous Peoples tradition.

The project was presented during the Responsible Fashion Series – Breaking the Mould conference at the University of Antwerp next week.

“The Ainu garment in the image is part of a study that hypothesises what would have happened if, during the Meji era, the Japanese had brought their Katazome indigo dyeing tradition, and blended it with the Ainu tradition of creating clothing from fish skin.” Elisa Palomino

I developed a CLO3D Ainu Robe that I later translated into BLENDER to model the rest of the scene and animate it.

See The Official Paper